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The chip industry was saved by AI, but what happens if it fails?

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Nvidia is now the first company to surge past $4 trillion in market capitalization, rebounding from its DeepSeek-induced slump earlier this year. Other AI chipmakers, including AMD and China’s Huawei, are reporting strong financial results. Nearly every major chipmaker is now centering its strategy on AI.

But what if AI doesn’t work out?

This isn’t just a hypothetical question. Some signs suggest that AI growth is stalling, or at least slowing down. New models no longer show significant improvements from scaling up size or the amount of training data. Nobel laureate Demis Hassabis recently noted that “we are no longer getting the same progress” on AI development. Andreessen Horowitz, one of the most prominent investors in AI, similarly shared concerns that AI model capabilities appeared to be plateauing.

One reason for AI’s slowing performance might be that models have already consumed most available digital data, leaving little left over for further improvement. Developers are instead turning to synthetic data, but it might be less effective—and might even make models worse.

AI development is also enormously capital intensive. Training the most advanced models requires compute clusters costing billions of dollars. Even a single training run can cost tens of millions of dollars. Yet while development costs keep going up, monetary rewards are limited. Aside from AI coding assistants, there are few examples of AI generating returns that justify these immense capital investments.

Some companies are already scaling back their AI infrastructure investment due to cost. Microsoft, for example, is “slowing or pausing some early-stage projects” and has canceled equipment orders for several global data center projects. Meta, AWS and Google have all reportedly cut their GPU orders. Chip bottlenecks, power shortages, and public concerns are also barriers to mass AI adoption.

If the AI boom peters out, that’s bad news for the chip industry, which has used this new technology to avoid a serious slump.

Chips are getting more expensive to make. Developing new manufacturing processes cost billions of dollars; building new plants can cost tens of billions of dollars. These costs are all passed onto consumers but, outside of AI, customers aren’t keen on buying more expensive chips. The fancy technologies in today’s AI processors aren’t that useful for other purposes.

AI delayed an industry reckoning: Manufacturing is getting more expensive, while performance gains are shrinking. The economic promise of AI justifies high chip prices, but if that goes away, the chip industry needs to find something else to persuade people to sustain investment in advanced chip manufacturing. Otherwise, advanced chipmaking will become unsustainable: New technologies will cost more and more, while delivering less and less.

A chip industry slump will upend several geopolitical and economic objectives. Governments have poured billions of dollars into building domestic chip industries. U.S. President Donald Trump routinely threatens to use tariffs to bring semiconductor manufacturing back home.

The U.S.’s supposed lead on chip development may prove to be a mirage, particularly as China dominates legacy chip production. And an AI reversal would shake up the world’s tech sector, forcing Big Tech to rethink its bets.

Given these stakes, policymakers need to encourage further innovation in AI by facilitating easier access to data, chips, power, and cooling. This includes pragmatic policies on copyright and data protection, a balanced approach to onshore and offshore chip manufacturing, and removing regulatory barriers to energy use and generation. Governments shouldn’t necessarily apply the precautionary principle to AI; the benefits are too great to handicap its development, at least at these early stages. Nor should large-scale AI applications, such as autonomous vehicles or home robotics, face unreasonably high requirements for implementation.

Investors should also explore alternate AI approaches that don’t require as much data and infrastructure, potentially unlocking new AI growth. The industry must also explore non-AI applications for chips, if only to manage their risk.

To ensure the chip industry can survive a slowdown, it must reduce the cost of advanced chipmaking. Companies should work together on research and development, as well as working with universities, to lower development costs. More investment is needed in chiplets, advanced packaging, and reconfigurable hardware. The industry must support interoperable standards, open-source tools, and agile hardware development. Shared, subsidized infrastructure for design and fabrication can help smaller companies finalize ideas before manufacturing. But, importantly, the drive to onshore manufacturing may be counterproductive: Doing so carelessly will significantly increase chip costs.  

The future of chips and AI are now deeply intertwined. If chips are to thrive, AI must grow. If not, the entire chip sector may now be in jeopardy.  

The opinions expressed in Fortune.com commentary pieces are solely the views of their authors and do not necessarily reflect the opinions and beliefs of Fortune.

Gergiev, a close associate of Putin, scheduled to perform in Italy despite ban on pro-Kremlin artists

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Sarah Rainsford

Southern and Eastern Europe correspondent

SERGEI CHIRIKOV/AFP via Getty Images Russian conductor and Mariinsky Theater Artistic Director Valery Gergiev is surrounded by classical musicians on stage in Moscow in 2018. SERGEI CHIRIKOV/AFP via Getty Images

Valery Gergiev seen conducting an orchestra at Moscow’s Red Square in 2018

Russian conductor Valery Gergiev has been barred from European stages ever since the full-scale invasion of Ukraine.

A close ally of Vladimir Putin for many years, the director of the Bolshoi and Mariinsky Russian state theatres has never spoken out against the war.

But a region of southern Italy has now invited Gergiev back to Europe, signalling the artist’s rehabilitation even as Russia’s attacks on Ukraine intensify.

Vincenzo de Luca, who runs the Campania region, insists that the concert at the Un’Estate da RE festival later this month will go ahead despite a growing swell of criticism.

“Culture… must not be influenced by politics and political logic,” De Luca said in a livestream on Friday. “We do not ask these men to answer for the choices made by politicians.”

The 76-year-old local leader has previously called Europe’s broad veto on pro-Putin artists “a moment of stupidity – a moment of madness” at the start of the war and announced that he was “proud” to welcome Gergiev to town.

Getty Images Two men in dark suits stand against a backdrop of a Russian white-blue-and-red tricolor flag, as the man on the right puts his hands on the other man's jacketGetty Images

Russia’s President Putin (R) pins a medal on conductor Gergiev (L) at the Kremlin in 2016

But Pina Picierno, a vice-president of the European Parliament, has told the BBC that allowing Gergiev’s return is “absolutely unacceptable”.

She calls the star conductor a “cultural mouthpiece for Putin and his crimes”.

Ukrainian human rights activist and Nobel laureate Oleksandra Matviichuk said the invitation by the regional government was “hypocrisy”, rather than neutrality.

Russian opposition activists have also condemned the director’s sudden return. The Anti-Corruption Foundation, of the late opposition leader Alexei Navalny, wants his concert cancelled and is calling on Italy’s interior ministry to ban Gergiev’s entry to the country.

GEORG HOCHMUTH/APA/AFP Russian conductor Valery Gergiev performs on stage with the Vienna Philharmonic Orchestra in 2020GEORG HOCHMUTH/APA/AFP

Valery Gergiev has been shunned by European orchestras since the full-scale war began

Before Russia’s full-scale war in Ukraine, the virtuoso Gergiev was a regular visitor to stages in Italy and across Europe, despite his closeness to Putin.

His long and illustrious career includes stints at the London Symphony Orchestra and Munich Philharmonic.

But the invitations to Europe stopped abruptly on 24 February 2022.

Hours before the first Russian missiles were launched at Ukraine, Gergiev was on stage at Milan’s La Scala opera house. Urged then by the city’s mayor to speak out against the war, Gergiev chose silence.

He was promptly dropped from the bill.

Abandoned by his manager, despite calling Gergiev “the greatest conductor alive”, he was then fired as chief conductor in Munich and removed from concert schedules across the continent.

That’s why the invitation from Italy is so controversial.

Pina Picierno, who is from the Campania region herself, says her call to stop the event is not Russophobic.

“There is no shortage of brilliant Russian artists who choose to disassociate themselves from Putin’s criminal policies,” she told the BBC.

The European MP, who says she has received threats for her work exposing Russia’s hybrid warfare, warns that allowing Gergiev to perform would be both wrong and dangerous.

“This is not about censorship. Gergiev is part of a deliberate Kremlin strategy. He is one of their cultural envoys to soften Western public opinion. This is part of their war.”

Pasquale Gargano/KONTROLAB/LightRocket via Getty Images Italy's prime minister stands in the middle wearing a grey jacket and white blouse, while Ukraine's first lady Olena Zelenska stands to her left in a green coatPasquale Gargano/KONTROLAB/LightRocket via Getty Images

Italy’s Prime Minister Giorgia Meloni (centre) welcomed Ukraine’s president and first lady to a conference in Rome last week

The cultural controversy erupted in a week when Italy was hosting heads of state from all over Europe to reaffirm their support for Ukraine and discuss how to rebuild the country once the war is over.

Italian Prime Minister Giorgia Meloni has been a strong and consistent critic of Vladimir Putin from the start. But her culture ministry is one of the backers of Un’Estate da RE, which has invited Gergiev.

A senior MP from Meloni’s Brothers of Italy party, Alfredo Antoniozzi, has described Gergiev as “simply a great artist”.

“If Russians have to pay for the mistakes of their president, then we are committing a kind of cultural genocide,” he argued.

Last month, Canada formally barred Gergiev from entry and declared it would freeze any assets.

But the European Union has shied away from formal sanctions against the conductor, who has avoided voicing open support for the war.

Gergiev has been a vocal supporter of Putin since the 1990s, later campaigning for his re-election and backing Russia’s illegal annexation of Crimea in 2014.

He was handed management of Moscow’s Bolshoi Theatre, in addition to the Mariinsky Theatre, taking over from a director who signed an open letter against Russia’s war.

Gergiev is a state employee, but in 2022 an investigation by Alexei Navalny’s team uncovered properties in several Italian cities that they say he never declared.

They also alleged he used donations to a charitable fund to pay for his own lavish lifestyle.

The activists argued that was Gergiev’s reward for his public loyalty to Putin.

The BBC has so far been unable to reach the conductor for comment.

A spokeswoman for the European Commission, Eva Hrncirova, has clarified that the Un’Estate da RE festival is not receiving EU cash: it is financed by Italy’s own “cohesion funds”.

But she added that the commission urged European stages not to give space “to artists who support the war of aggression in Ukraine”.

In Campania, the artistic director who crafted this year’s festival programme declined to comment. A spokesman was confident Gergiev’s performance would go ahead, though – despite the controversy.

“Yes,” he assured the BBC. “For sure.”

Additional reporting from Rome by Davide Ghiglione.

Republic Records and Visva Records Form Joint Venture Following Success of ‘Kpop Demon Hunters’

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Visva Records, the new label founded by Grammy-nominated songwriter Savan Kotecha, has formed a joint venture with Republic Records following the success of Netflix’s animated film KPop Demon Hunters.

MBW recently reported on the two fictional K-pop groups from the film seeing significant streaming success, with their songs occupying multiple spots in Apple Music and Spotify’s daily global charts.

Visva Records’ debut release, the KPop Demon Hunters soundtrack for Netflix’s film reached No.1 on iTunes Album, iTunes Pop Album, and Apple Music Pop Album and Apple Music K-Pop Album charts worldwide.

The soundtrack has yielded chart-topping songs like Your Idol and Soda Pop from Saja Boys, the virutal boy band from the film, and Golden and How It’s Done by the film’s girl group, Huntr/x.

On Friday (July 4), Republic Records released Golden as an official single with instrumental and a cappella versions. Variety recently reported that the song will be submitted by Netflix for awards consideration.

The partnership between Visva and Republic gives the latter the rights to distirbute Visva’s roster, which includes Los Angeles-based musician and producer Magnus Ferrell, OutStation, a five-member Indian boy band, and Tamil and Sri Lankan artist Dhee.

“The goal of Visva Records is to be an A&R-first label that champions global, diverse talent. We’re here to break down barriers in places like India and build bridges that help artists cross over internationally.”

Savan Kotecha, Visva Records

Magnus Ferrell will drop his debut single for Visva/REPUBLIC, called Miss Me Vendetta, on Friday (July 11).

Kotecha has written hits for some of the world’s most famous artists including Ariana Grande, The Weeknd, Ed Sheeran, One Direction, Jennifer Lopez, Britney Spears, Celine Dion, Nicki Minaj, Katy Perry, Carrie Underwood, Maroon 5 and many more.

His songwriting repertoire also includes hits for Jessie J (Bang Bang), The Weekend (I Can’t Feel My Face) Demi Lovato (Cool For The Summer), Justin Bieber (Beauty And A Beat), Usher (DJ Got Us Falling In Love) and Ellie Goulding (On My Mind).

He launched Visva with an aim to develop international artists. His background also includes film and TV, having worked on soundtracks and developed projects with ABC, HBO, and Sony Animation.

Commenting on the deal with Republic Records, Kotecha said: “I’ve been working closely with Republic Records since 2013 and have experienced some of the most defining moments of my career with them.”

“Savan has been a part of the REPUBLIC family for many years now. Working together to launch Visva was a natural progression of our already strong relationship.”

Jim Roppo, Republic Records

“They are truly a worldclass team and it’s the honor of a lifetime to now partner with them on my first-ever label, Visva Records. Visva will focus on breaking global barriers, developing artists, and crafting key pop culture soundtracks. I’m incredibly excited for this new chapter—and proud that our first project, K-Pop Demon Hunters, is already bringing that vision to life and making a major impact around the world.”

Kotecha added: “The goal of Visva Records is to be an A&R-first label that champions global, diverse talent. We’re here to break down barriers in places like India and build bridges that help artists cross over internationally. Our mission is to discover real stars—from anywhere in the world—and give them the time and guidance they need to reach their full potential. I’m incredibly grateful to Monte and the team at Republic for believing in this vision, and I’m excited for the journey ahead.”

Republic Records Chairman and CEO Jim Roppo said: “Savan has been a part of the REPUBLIC family for many years now. Working together to launch Visva was a natural progression of our already strong relationship. He’s building a phenomenal roster with global reach, and we’re excited to bolster his vision in any way possible.”

Visva marks Kotecha’s latest venture after co-founding Outwrite, a Mumbai-based incubator for songwriters, in September 2024.

In late 2019, Kotecha sold a catalog of 49 of his songs to Hipgnosis Songs Fund for an undisclosed fee. Kotecha has expanded his business ventures in recent years, investing in the Swedish sound technology company Audiodo in 2022, and in record label and A&R tool Snafu in 2021. He also co-founded publishing company S2 Songs with Sonny Takhar, CEO of KYN Entertainment. S2 Songs partnered with Universal Music Publishing Group for global administration in 2019.

Music Business Worldwide

Redefining Vision: AI Glasses Pave the Way for Unexplored Possibilities

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The potential of augmented reality glasses has been a topic of interest on this site, yet these devices have not become commonplace for daily use. They often appear bulky or provide limited functionality. However, the integration of AI could redefine their purpose beyond mere smartphone screen emulation. Envision them focusing on capturing images and sounds, then offering information through audio output. Such a design would require glasses that look nearly identical to traditional models but are outfitted with a camera and microphone, capable of transmitting sound via the frames, all driven by an artificial intelligence engine. Meta and other manufacturers are pursuing this innovative approach, leading to a new generation of smart glasses

Meta makes the leap to AI-enabled glasses

Upon releasing its Ray-Ban Meta Smart glasses in late 2023, Meta encountered a tepid market response. The concept of glasses equipped with a camera for capturing photos and videos was perceived more as a novelty for influencers rather than a must-have gadget, not to mention the privacy concerns it raised. Yet, a pivotal shift occurred in December of that year. Meta, the conglomerate behind Facebook, revealed plans to incorporate multi-modal artificial intelligence capabilities, mirroring Google’s endeavors with its Gemini AI. This advancement meant that the glasses would transcend basic command responses and media capture; they were set to begin analyzing images and unlocking previously unimaginable functionalities.

What is multimodal artificial intelligence?

Multimodal artificial intelligence is marking a revolutionary advancement in the realm of AI systems by integrating and processing a variety of data types, including text, image, sound, and video. This approach enables AI to comprehend and engage with the world in a more intricate and ambitious manner. In contrast to unimodal systems focusing on a single data type, multimodal AI can simultaneously interpret complex information from multiple sources. This multifaceted understanding allows for the performance of tasks with an unprecedented level of accuracy and insight.

For smart glasses, this evolution means that inputting text or voice commands is no longer necessary. Instead, these devices can analyze the scene in front of the user and provide information based on the visual data they gather. The scope of applications for this technology is limitless, opening new doors to how we interact with and understand our surroundings.

What does the new generation of glasses allow you to do?

The glasses from Meta and other companies such as Brilliant Labs or Envision typically require connection to a smartphone, which handles the heavy computing. Currently, the models on the market are limited to analyzing photographs. Once the multimodal AI processes the image, it enables capabilities such as the following:

  • Provide recipe suggestions based on the ingredients available in the refrigerator.
  • Detail the nutritional values of a food item.
  • Indicate the store where a clothing item or object can be purchased.
  • Diagnose a household malfunction and suggest possible solutions.
  • Identify plants or animals.
  • Read and translate texts.
  • Translate for speakers of other languages.

Several applications, such as recipe generation, are already available, while others—including some yet to be developed—will gradually become a reality. For instance, the Brilliant Labs glasses model features a micro-OLED display that enables augmented reality applications, such as visualizing a sofa in a different color. That said, there is an area where these types of devices could potentially be life-changing.

A leap in accessibility

Individuals with vision impairments or blindness have rapidly recognized the transformative potential of this technology. They can now inquire about anything within their field of vision—be it an object, a person, or text—and the glasses will provide a detailed explanation. Beyond AI glasses, innovative wearables that eschew traditional lenses in favor of a camera-equipped headset design are being developed.

One notable innovation comes from the University of Singapore, where a headset featuring a 13-megapixel camera has been created. This device captures images upon the user’s command, and the integrated AI then analyzes the photographed object’s size, shape, and color. Distinctively, this model operates independently without needing to connect to a smartphone or any other external device.

Although this particular headset, which delivers sound directly through the bones of the skull, is not yet available, other models from Meta and various manufacturers are already in the market. These devices promise to significantly enhance the quality of life for individuals with disabilities, offering them unprecedented levels of independence and interaction with their environment.

 

Source:  

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Russia-Ukraine war: A Look Back at Key Events on Day 1,235 | Latest Updates on Russia-Ukraine Conflict

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Here are the key events on day 1,235 of Russia’s war on Ukraine.

Here is how things stand on Sunday, July 13:

Fighting

  • Ukrainian officials said Russian air attacks overnight on Saturday killed at least two people in the western city of Chernivtsi and wounded 38 others across Ukraine.
  • The raids also damaged civilian infrastructure from Kharkiv and Sumy in the northeast to Lviv, Lutsk and Chernivtsi in the west.
  • The Russian Ministry of Defence said it attacked companies in Ukraine’s military-industrial complex in Lviv, Kharkiv and Lutsk, as well as a military aerodrome.
  • The United Nations Human Rights monitoring mission in Ukraine said that June saw the highest monthly civilian casualties in three years, with 232 people killed and 1,343 injured.
  • In Russia, a man was killed in the Belgorod region after a shell struck a private house, according to Governor Vyacheslav Gladkov.

Politics and diplomacy

  • North Korean leader Kim Jong Un told visiting Russian Minister of Foreign Affairs Sergey Lavrov that his country was ready to “unconditionally support” all actions taken by Moscow in Ukraine.
  • Earlier, Lavrov held talks with his North Korean counterpart, Choe Son Hui, in Wonsan, and they issued a joint statement pledging support to safeguard the national sovereignty and territorial integrity of each other’s countries, according to North Korean state media.
  • Lavrov also warned the United States, South Korea and Japan against forming “alliances directed against anyone, including North Korea and, of course, Russia”.
  • Slovakia’s prime minister, Robert Fico, said his government hoped to reach an agreement with the European Union and its partners on guarantees that Slovakia would not suffer from the end of Russian gas supplies by Tuesday. Slovakia has been blocking the EU’s 18th sanctions package on Russia over its disagreement with a proposal to end all imports of Russian gas from 2028. Slovakia, which gets the majority of its gas from Russian supplier Gazprom under a long-term deal valid until 2034, argues the move could cause shortages, a rise in prices and transit fees, and lead to damage claims.
  • Russia blamed Western sanctions for the collapse of its agreement with the UN to facilitate exports of Russian food and fertilisers. The three-year agreement was signed in 2022 in a bid to rein in global food prices.

Weapons

  • Ukrainian President Volodymyr Zelenskyy said Kyiv was “close to reaching a multilevel agreement” with the US “on new Patriot systems and missiles for them”. Ukraine was stepping up production of its own interceptor systems, he added.

Client Challenge: Overcoming Obstacles for Success

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The Transformation of Erin Patterson: From ‘Super Sleuth’ to True Crime Obsession

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Tiffanie Turnbull and Katy Watson

BBC News

Reporting fromMorwell, Australia

Watch: Australia’s mushroom murder case… in under two minutes

For years, from behind a computer screen, Erin Patterson built up a reputation in an online true crime community as a “super sleuth”.

Today, she herself has become a true crime obsession.

When three people died – and another fell gravely ill – after eating toxic-mushroom-laced beef Wellingtons at her home in rural Victoria two years ago, her entire life was put under a microscope.

Journalists have descended from around the world to cover her lengthy murder trial, spectators have queued daily to nab a spot in the courtroom, and thousands of people have picked apart details of the case online.

But, despite a jury earlier this week finding her guilty on all charges, the frenzy of speculation and depth of fascination has only intensified.

“It has shades of Macbeth,” criminal psychologist Tim Watson-Munro told the BBC.

Getty Images Members of the media are seen outside the Latrobe Valley Magistrates' Court in Morwell on July 7Getty Images

The mushroom murder trial was the biggest case in recent history

It was in one of Australia’s smallest courtrooms that its biggest trial in recent history took place.

Over 11 weeks, seven documentary-making teams cast their lens on the tiny town of Morwell. Podcasters here were a dime a dozen. Journalists vied for the six seats reserved for media inside the court each day. Even one of Australia’s best-loved authors, Helen Garner, frequently dropped by the Latrobe Valley Law Courts, fuelling rumours that she is preparing to write another best-seller.

Waiting with the sea of tripods outside the building most mornings of the trial was a queue of camp chairs.

Come rain, frost or fog, court watchers – predominantly women, often rugged up in beanies and encased in sleeping bags – watched for the moment the glass doors would open.

Once inside, they would lay a line of belongings – scarves, water bottles, notepads, bags – outside the courtroom entry to reserve their spot.

A court sketch of Erin Patterson wearing a purple shirt

The Patterson trial heard from more than 50 witnesses

Tammy Egglestone commuted for more than an hour to reach Morwell most days of the trial. “I’m a bit of a true crime fanatic,” she explains.

She was in court when it heard evidence that Patterson was once just like her.

Patterson had been an active member in a Facebook group focussed on the crimes of Keli Lane, a woman who was found guilty of killing her two-day-old daughter in one of Australia’s most notorious cases.

In 2018, Lane became the subject of a major podcast after writing to a journalist claiming to have been wrongly convicted and begging her to investigate.

At Patterson’s trial, one of her online friends Christine Hunt said she was renowned among her peers for her nimble researching and tech skills.

“She was a bit of a super sleuth,” she said. “She was highly regarded in that group.”

Getty Images A man taking a selfie in a Melbourne laneway in front of a mural of Erin Patterson.Getty Images

A Melbourne lane with a mural of Erin Patterson

But as her case unfolded in Morwell, Patterson was also put on trial in the court of public opinion.

She became water-cooler talk in workplaces around the country, gossip among friend groups, and the ultimate topic of debate online.

Thousands of people theorised over a motive for the crime, provided commentary on bits of evidence, and even alleged corrupt forces were behind the case – much of the discussion unfounded, almost all of it in breach of laws designed to give defendants a fair trial.

Memes filled social media feeds. On Google Maps, someone created a restaurant listing at Patterson’s home address. Others shared trial bingo cards they had created for those following it closely.

Throughout the week the jury was considering their verdict, sequestered in a hotel to protect them from the maelstrom, the question everyone had was: what were they thinking?

“What are they doing in there?” one lawyer was overheard asking in a Morwell café on day four of deliberations.

Tammy Egglestone standing outside the courthouse

Ms Egglestone has spent hours commuting to see the trial evidence in person

With jury members bound by strict secrecy requirements, we will never know.

“In the US, they can interview jurors after a trial,” Mr Watson-Munro said. “We can’t get into the heads of jurors in Australia… so it’s really hard to know what they’re thinking has been and why they’ve come to that conclusion.”

That leaves a massive vacuum for members of the public to fill with their speculation.

People like Ms Egglestone pondered: if the poisoning was intended to kill, wouldn’t Patterson have planned and executed it better?

“I’ve come in here [as] Switzerland,” Ms Egglestone clarified, calling the discourse around the case “very pitchforky”.

“You know, [it’s] she’s guilty, she’s guilty, she’s guilty.

“And a lot of them are using hindsight reasoning. ‘If I was in that situation, I wouldn’t do this, this and this.’ Well, you don’t know what you would do in that situation.”

But people like her were drowned out by the hordes proclaiming Patterson guilty.

Many said it was her lies that convinced them. Some claimed the evidence showed a clear lack of empathy and concern for those who died.

“What really gave her away was wearing white pants when she had ‘gastro’ and needed to go to hospital for it!” one person posted, referring to CCTV footage of her movements in the days after the lunch, which was played at the trial.

Watch: CCTV and audio shown to court in mushroom trial

Already, the case has inspired a television special, a silver screen drama series, a bevy of podcasts, several documentaries and a handful of books.

“It has those typical cliché things that make true crime sell,” Ms Egglestone said, explaining why she and flocks of others have become obsessed with the case.

“Poison’s the weapon, the fact that she did take out family members… [she’s] white, female, financially stable, you know. And they’re all church people.”

For David Peters, the seemingly benign circumstances surrounding the crime – and the fact it was in his local area – drew him in: “The fact that it was a family sitting down to do something you would consider to be safe – have a meal – and then the consequences of that meal…”

Several people tell the BBC the case reminds them of the frenzy over Lindy Chamberlain’s notorious trial in 1982. She was falsely convicted of murder after her infant daughter Azaria was taken from an outback campsite by a dingo.

It’s no coincidence that both of those cases centre around women, criminology researcher Brandy Cochrane tells the BBC.

The world has long been fascinated by women who kill – in no small part because it contradicts their traditional “caring” gender role, they explain.

Those stereotypes also cast a shadow on Patterson’s time in court.

EPA The front cover of The Australian newspaper with coverage of Erin Patterson's verdict on the front page is displayed in a newsagent in Morwell.EPA

“She’s expected to act in a particular way, and she’s not,” says Dr Cochrane, a lecturer at Victoria University.

“It’s like, ‘Oh, obviously she’s guilty, she’s not crying the whole time’ or ‘Obviously she’s guilty, she’s lied about this’… The legal system in and of itself treats women very differently.”

Away from the ghoulish spectre of the trial, there’s anger – albeit dwindling – among the communities where the victims are from over the way the case has been dissected, local councillor Nathan Hersey told the BBC.

Don and Gail Patterson and Heather Wilkinson were respected and adored by many in the South Gippsland region, he said, but it feels like they’ve been forgotten.

“This has been an extremely high-profile case that’s brought a lot of attention, often unwanted through to our local community.

“[And] some people haven’t had that humanity… they’ve certainly lost focus that for people, there is a loss, there is grief.”

Trump stands by Bondi amid criticism over Epstein documents

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Trump defends Bondi amid backlash over Epstein files

Alcaraz and Sinner to Face Off Once Again at Wimbledon 2025: Tennis Rivals Ready to Resume Battle | Tennis News

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Wimbledon, United Kingdom – Expectations will run high, and so will the temperatures in southwest London, when Carlos Alcaraz steps on Centre Court to defend his Wimbledon title against Jannik Sinner on Sunday.

The next instalment of an enthralling rivalry between the top two players in men’s tennis will come under the limelight once again at one of the biggest stages in the game – the All England Lawn Tennis and Croquet Club – on a hot afternoon in the United Kingdom’s capital.

Two-time Wimbledon champion Alcaraz expects to be pushed to the limit by world number one Sinner in a meeting that has already drawn comparisons with the great Wimbledon finals of the modern era.

“I expect to be on the limit, to be on the line [in the final],” Alcaraz said while speaking to the media moments after Sinner’s near-faultless semifinal 6-3, 6-3, 6-4 win over Novak Djokovic on Friday.

A few hours earlier, the Spaniard had booked a spot in his third consecutive Wimbledon final with a resilient performance against Taylor Fritz, which brought him a 6-4, 5-7, 6-3, 7-6 (8-6) win.

It will be the 13th on-court meeting between the two, and their second Grand Slam final in the space of five weeks.

Their duel in the French Open final lasted five hours and 29 minutes and added fuel to the fiery-yet-friendly rivalry between the young tennis stars.

A French Open final repeat on the cards?

Alcaraz knows his opponent all too well and expects nothing short of another spectacle.

“Whatever Jannik has is because he has learned from everything – he just gets better after every match, every day,” Alcaraz said of the top seed.

The Spaniard said he expected Sinner to be in better shape mentally and physically for the Wimbledon final, but that he was not looking forward to another hours-long match.

“I just hope not to be five and a half hours on court again. But if I have to, I will.”

Meanwhile, Sinner – the tall, stoic and speedy Italian who stands between Alcaraz and a chance to become only the fifth man to win three straight Wimbledon titles – believes beating the holder will be “very tough”.

“I’m very happy to share the court with Carlos once again. It’s going to be difficult, I know that,” Sinner said on Friday.

The Australian Open champion said he loves playing Grand Slam finals – Sunday’s will be his fifth in two years.

“I always try to put myself in these kinds of situations that I really love. Sundays at every tournament are very special.”

The 23-year-old from northern Italy termed Alcaraz as the favourite, given his record at the tournament and on grass courts.

“He is the favourite. He won here the last two times. He’s again in the final. It’s very tough to beat him on grass, but I like these challenges.”

Alcaraz and Sinner after their epic French Open final [File: Susan Mullane/Imagn Images via Reuters]

‘Fire vs ice’

Out of the 12 occasions that both players have met, four have been at Grand Slams, but this is only their second meeting in the final.

The pair’s only other meeting at Wimbledon came in the fourth round in 2022, when Sinner won 6-1, 6-4, 6-7 (6-8), 6-3. Alcaraz, however, brushed aside the reference by saying that both men are changed players from what they were three years ago.

“We’re completely different players on grass and on all surfaces.”

The 22-year-old from Murcia, in southeastern Spain, will be buoyed by his 5-0 record against Sinner in the past two years.

Despite Alcaraz’s success against his nemesis, it is Sinner who has consistently topped the men’s rankings by racking up regular wins and points on the ATP circuit.

All things considered, there is not much that separates the two ahead of their highly anticipated match.

Just ask Djokovic.

While the 24-time Grand Slam champion picked Alcaraz due to his past success at Wimbledon, Djokovic predicted “a very close match-up, like they had in Paris” when asked to choose a winner.

“I think I will give a slight edge to Carlos because of the two titles he’s won here and the way he’s playing and the confidence he has right now, but it’s just a slight advantage, because Jannik is hitting the ball extremely well.”

It is not just their contrasting styles of play – Sinner relies on his baseline game and shot speed, while Alcaraz likes to cover the court with his nimble footwork and excellent coverage – but also their on-court personalities that set the two apart while making them an engaging pair to watch.

Before the French Open final, Alcaraz said in an interview that a “fire vs ice” analogy fits them perfectly.

“I guess you can say I am like fire because of the way I react on court and show emotions, while Jannik remains calm,” the Spaniard said with his trademark smile.

Tennis - French Open - Roland Garros, Paris, France - June 8, 2025 Spain's Carlos Alcaraz reacts during his final match against Italy's Jannik Sinner REUTERS/Stephanie Lecocq
Alcaraz is never shy of showing his emotions on court [File: Stephanie Lecocq/Reuters]

In the shadow of the greats

For the fans, though, the pair offer another chance to pick sides and look forward to tennis tournaments that could pit the two against each other.

“It’s a dream final,” Catherine Shaw, a tennis fan who watched both the men’s semifinals on Centre Court, told Al Jazeera.

“They are the next big thing when it comes to tennis rivalries, so it’s exciting times for tennis fans.”

Stepping out in the shadows of some of the greatest players and rivals – Stefan Edberg vs Ivan Lendl, Bjorn Borg vs John McEnroe, Andre Agassi vs Pete Sampras and Rafael Nadal vs Roger Federer – the young players will have big shoes to fill.

Both are aware of the weight their match-up carries but refuse to be compared with their heroes just yet.

“I think the things that we are doing right now are great for tennis,” Alcaraz said ahead of the final.

“We just fight to engage more people to watch tennis. We’re fighting for tennis to be bigger, as all the tennis players are doing.

“For me, it’s sharing the big tournaments with Jannik, or just playing in the finals of the tournaments… We’re still really young.

“I hope to keep doing the right things for the next five to 10 years, so our rivalry is on the same table as those players.”

Sinner and Alcaraz react.
Sinner and Alcaraz will meet again on the iconic Centre Court at Wimbledon after their meeting in 2022 [File: Hannah Mckay/Reuters]

Columbia and Trump may be close to reaching a truce in funding dispute

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Columbia University may be nearing a deal with the Trump administration to reinstate federal funding to the university over civil rights issues, according to reports by multiple news outlets.

The deal would require Columbia to pay hundreds of millions of dollars to those affected by the alleged violations, increase transparency in its hiring and admissions processes, and take other steps to improve security and safety on campus for Jewish students, the Washington Free Beacon and Wall Street Journal reported.

In return, the university would regain some $400 million in federal grants and contracts that the administration cut in March.

The deal does not include some of the stricter provisions initially demanded by the White House, such as a consent decree and reforms to Columbia’s governance structure, the outlets reported. The White House also dropped demands that a presidential search committee to replace interim university president Claire Shipman include people with a variety of political views, the Free Beacon reported. 

A spokesperson for the university said the school was working to move discussions along with the federal government but noted there was no resolution yet, the Free Beacon reported.

Any such deal would be an unprecedented arrangement between the federal government and an elite university. It could set a precedent for deals with other universities President Donald Trump has gone after, including Harvard. 

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